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Tag Archives: curse

Petrifying Primates: Monkeys and Apes in Science Fiction and Horror

24 Friday May 2013

Posted by Alyson Dunlop Shanes in Uncategorized

≈ 2 Comments

Tags

Altzheimer's, Andy Serkis, apes, baboon, Bela Lugosi, Brian Cox, Bride of the Gorilla, Caesar, chimp, chimpanzee, Chris Atkins, Congo, curse, Daedalus, Doctor Who, gorilla, Greek, Horror, Icarus, In the Shadow of Kilimanjaro, John Lithgow, King Kong, Link, Lon Chaney, Mars, Monkey Shines, monkeys, monster, mythology, orang-utan, Planet of the Apes, primates, primitive, Ray Harryhausen, Rise of the Planet of the Apes, Roddy McDownall, Roman, sci-fi, science fiction, Shakma, simians, The Ape Man, witchcraft

   chimpThey are often depicted as the primal and, therefore, frightening face of human nature.  Primates, the class of animals to which humans also belong, are often the source of our primitive fear.  We sometimes refer to them as our “cousins” in the animal kingdom, but in horror and science fiction they are our nightmares in the flesh.  They kill by attacking us or by spreading disease.  Either way, they are dangerous or to be feared, because in horror and science fiction, primates are human-like and just as unpredictable as we are. 

   Stories often involve the shady and bleak world of animal experimentation or exploitation.  The humans get the monkeys to perform for entertainment, or force them to endure pain and suffering because it will aid us in some way.  Just like in real life.  Whatever we want, the primate does it or is forced to do it.  Until, that is, it fights back.

   Some of the films take on elements of a slasher movie.  One victim after another is stalked by the predator, with a final survivor.  Sometimes there is more than one, but usually the outcome is bad for the primate.

   Several stories are set in Africa.  Sometimes, like King Kong, it begins on a primitive island or deep in the jungle where, of course, humans first invaded and captured the wild and free animals. 

   I first became absolutely fascinated by these stories when I watched King Kong (1933) as a little girl.  Monster movies were always televised on a Friday, early evening, and I loved them!   Unlike Ray Harryhausen, my fascination was not due to animation.  It was due to narrative.  It was only later in life, as an adult, that I saw there were even deeper layers to the story.  However, King Kong deserves a blog article of its own so I’ll avoid going into depth on the subject until a later date. 

   As far as I know, King Kong is the first  movie to depict primates as monstrous.  In 1943, The Ape Man starring Bela Lugosi came out, followed by Might Joe Young (1949). 

Click to view.

Click to view.

   Bride of the Gorilla (1951), starring Lon Chaney, is about the jungle (wildness) versus civilised behaviour.   When Barney lets a snake kill his boss, an old woman curses him with a “plant of evil”.  The old woman is a “wise woman” or “witch” who uses black magic.   Barney hears the “call of the wild” from the jungle on his wedding night.  He leaves to go into the jungle, which he appears to now be more in love with than he is with his wife.  His doctor believes he has been poisoned, and that the natives have many potions that can drive a man out of his mind and cause psychosis.  He also thinks Barney killed his boss, and his wife may be a constant reminder of his guilt of killing her first husband.  What they don’t know is that the potion has caused Barney to turn into a gorilla!

Click to view.

Click to view.

   In 1968, the first Planet of the Apes film came to screens.  Surprisingly, the movie got a G rating, for ‘general audience’.  When I first saw this film, probably round about the age of six or so, it terrified me on the same level as Doctor Who at that age.  Of course, having two big brothers meant that scary science fiction was often viewed in the house, so I spent a lot of time behind the sofa in those early days!  I was really surprised to learn it wasn’t more along the lines of an A or even 15 (which, of course, wasn’t a rating that existed back in the sixties).

  The film showed us what it would be like if the tables were turned and animals treated us the way we treat them.  After crash-landing on an alien planet, Taylor is captured by apes who can talk and act like humans.  He is befriended by Cornelius and Zira who help Taylor escape.

    However, Doctor Zaius is a religious scientist Taylor calls a “fanatic”.  He refuses to listen to reason, especially if it goes against his religious knowledge.  On Zaius’ instructions Cornelius reads 29th Scroll 6th verse (written by The Lawgiver of the Apes):

 Beware the beast Man, for he is the Devil’s pawn. Alone among God’s primates, he kills for sport or lust or greed. Yea, he will murder his brother to possess his brother’s         land. Let him not breed in great numbers, for he will make a desert of his home and       yours. Shun him; drive him back into his jungle lair, for he is the harbinger of    death….

  Zaius continues:

From the evidence, I believe his wisdom must walk hand and hand with his idiocy. His emotions must rule his brain. He must be a warlike creature who gives battle to      everything around him, even   himself…  The Forbidden Zone was once a paradise. Your breed made a desert of it ages ago!

   The ending proves Zaius to be correct.

   It’s a very thought-provoking film, not only about how we treat our planet and how we treat animals, but also how we treat other human beings and the prejudices amongst us.

   Planet of the Apes was extremely popular and there were several sequels:  Beneath the Planet of the Apes (1970); Escape from the Planet of the Apes (1971); Conquest of the Planet of the Apes (1972) and Battle for the Planet of the Apes (1973).   In 1974, there was a TV series and the following year an animated series Return to the Planet of the Apes.   In 2001, a remake was made, and in 2011 Rise of the Planet of the Apes came to our screens.  However, I will leave the latter until the end, seeing as I am working in chronological order!

Click to view.

Click to view.

   In The Shadow of Kilimanjaro (1986) is based on a true story about a drought in Africa which causes baboons to go ape-shit!  The baboons are predators stalking people one by one, first at night from the darkness; next in a gang attacking a lone driver who breaks down.  The threat is portrayed like an unruly mob, gang or individual stalker and becomes quite terrifying as the film progresses.  You do begin to wonder how on earth everyone will make it to the end of the film, as they appear to be outnumbered by the ferocious creatures who are hungry for their flesh….

Click to view.

Click to view.

   Link (also 1986) is about a college professor who employs one of his female students to look after his house.  He shares his house with two chimps, Voodoo and Imp and an orang- utan called Link.  The professor gives the girl three rules to live by

1.                  Humans are dominant.

2.                  Always forgive the primates, regardless of what they do.

3.                  Don’t get involved in their squabbles.  They sort them out.

Pretty soon the girl wishes she had never taken on the job, as she finds herself trapped in the isolated house on the rocky coast, trying to escape from one of the creatures which turns out to be a dangerous killer!  It seems the presence of a female in the house has sent him over the edge.  This is really more a story of sexism and male dominance.

Click to view.

Click to view.

   Dominance also features in the film Monkey Shines (1988).  It is about paraplegic Alan, who has his own personal monkey helper, Ella.  The monkey has been genetically altered by his friend Jeff, a scientist who gives Alan the monkey as a gift.  Ella loves Alan and seems to want to do things just for him, but everything starts to go wrong when Ella begins to carry out acts of revenge on behalf of Alan, unbeknownst to him.  Alan and Ella seem to be telepathically linked, as Alan begins to take on the monkeys rage and starts to have unusual mood swings.  Once he realises what is going on it is a pure battle of will to defeat the nasty little simian.

Click to view.

Click to view.

   In Shakma (1990), we find ourselves in another research lab.  Roddy McDowall is the professor and game master (which sounds an awful lot like gay master every time it’s said – I can’t help but think that is deliberate!) who engineers a game for his students.  Meanwhile we know that an aggressive baboon called Shakma has not been euthenised and has killed other primates in the lab.  The film has elements of the slasher as well as fairytale characters such as a hero, princess and villain.  Most of all Shakma is a film about brain vs brawn, but will intelligence win when up against such a vicious enemy?  I was honestly a little unnerved by the ferocity of the baboon, but the titles assure the audience that he was well-treated…

Click to view.

Click to view.

   Congo (1995) is an adventure story about a rescue expedition, which is also about finding the ultimate diamond.  It also features a rather adorable gorilla called Amy, who can use sign language.  She has nightmares about the jungle except when she paints images of it.  Amy wishes to return home to the jungle and her keepers decide to take her back to the Congo.  They team up with the rescue expedition as they are all going to the same place.  Like a traditional adventure film, there is only one woman and a bunch of men.

   The story is one of greed for material possessions, and there are many things to thwart the group on their way, not least of all the ultimate threat of the killer silver gorillas that have annihilated the original expedition.  The terrifying creatures are ready to defend the temple in the jungle and the diamonds that are the cause of so much greed.  If this film hasn’t been made into a game, I’d be very surprised!

Click to view.

Click to view.

   Finally, the most recent ape film, Rise of the Planet of the Apes was made in 2011, and began in a laboratory.  A doctor thinks he has found a potential cure for Altzheimer’s (ALZ1-12, a virus), but his test subject goes wild and is shot.   The programme is closed down.   However, the doctor discovers the wild chimp had a baby.  The baby chimp, which he rescues and calls Caesar, shows signs of exceptional intelligence.

   Caesar is well-named.  In captivity, he becomes the general of an army of apes that he trains himself.  He steals some ALZ virus to enhance the intelligence of the other apes in order to escape. 

   Apart from the name “Caesar”, there are a few other little nods to ancient Roman and Greek mythology, including Icarus and Mars, the mention of whom should warn us that there is trouble ahead.  Mars is the Roman god of war, and Icarus is the son of Daedalus.  Icarus flew too close to the sun and died as a result of his ambitions – for anyone paying attention there’s a helicopter scene near the end where this reference ties in.  There’s also a scene very reminiscent of a gladiatorial fight between Caesar and his rather nasty keeper in the “sanctuary”, at which point we also find out something extremely surprising about Caesar!  (But I won’t spoil it).

  Caesar shows compassion for his good keeper, though, and is reluctant to kill.   He is able to make tactical decisions to lead the other apes.  You can’t help but admire and respect him, and you hope that he survives the battle. 

   I’d definitely recommend seeing this film.  You’ll love it!  In fact, the only thing I didn’t like about this film was that it had to end!  Andy Serkis does a fantastic job playing Caesar.  There’s apparently another one, Dawn of the Planet of the Apes, due out next year, and I can’t wait! I’ll definitely be going to the movies to watch it on the big screen.

   On one hand I love these films, on the other hand, they are sad reminders of the greed and stupidity of homo sapiens.  I despair at the treatment of some people towards our animal friends and I despair that we push Nature to a point where She turns round and slaps us very hard in the face…

   Until next week, be kind to all creatures, the planet and each other.  Your friend, A.D.

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Werewolves: Narrative and Symbolism in Film and Literature

29 Friday Mar 2013

Posted by Alyson Dunlop Shanes in Uncategorized

≈ 2 Comments

Tags

allegory, anarchy, Berserkers, bitten, classics, criminal, curse, delinquency, Devil, film, folk lore, folktales, forest, full moon, fury, God, hallucinogens, Herodotus, hooliganism, hypertrichosis, infection, literature, Luna, Lupa, lycanthrope, lycanthropy, Madness, menstruation, metamorphosis, Norse, Ovid, Pausanius, pentagram, Petronius, Pliny the Elder, pornography, prostitute, psychiatric illness, puberty, scratched, sexual, symbolism, transformation, tranvestitism, Viking, Virgil, werecats, werejaguars, werelions, weretigers, werewolves, witches

werewolf

By Sergey Kalinen

Werewolves!  Where does one start?!  These supernatural creatures have as vast and varied a history as vampires, probably even more so.  Early tales of transformation from man to wolf, can be read in the classical literature of Herodotus, Pausanius, Ovid, Virgil, Pliny the Elder and Petronius.

Depending on which part of the world you live in, the curse of the werewolf is either given by God or the Devil. Also, depending on which part of the world you live in, humans may metamorphose into any number of creatures.  In Europe, and subsequently Canada via Viking migration, America via European migration, Haiti via French migration etc, wolves are the most likely     were-animal.  Were-cats are also mentioned in the texts.  In Europe they are mostly associated with witches, whereas in Africa and Asia they are mostly associated with big cats – weretigers and werelions.  Werejaguars are also mentioned in the Americas.  In Thailand, there are even folk tales of werecrocodiles!

There seems to generally be a big difference between werewolves of film and werewolves of literature.  For example, in film werewolves are most often infected or cursed from being bitten or scratched by another werewolf.  In literature, they are cursed through a pact with the Devil, parentage or because they have a psychiatric illness (lycanthropy); also, in literature, religious symbols are usually no protection whereas, for example, a pentagram was used in the film An American Werewolf in London.  Traditionally used as a symbol for protection, it is often misunderstood to mean something Satanic.  In later (20th century) literature, the silver bullet was added as a means of killing a werewolf.  Prior to that, wolfsbane and exorcism were often tried on people believed to be lycanthropes.

From the original texts to current visual storytelling, it should by now be obvious that werewolves represent many varied things, and I’m not going to get too arsy about the differences because as I see it, most stories evolve and metamorphose themselves in the process.  Plus, films have to be written by someone before being put on the screen….

It has been suggested that rabies is one origin of werewolf beliefs.  It’s a great hypothesis, and there are several aspects of infection and symptom that would suggest this theory is correct.  Even though being bitten and infected was a later addition, and not present in origin myths and legends, the infection does curse the victim to a state of madness and is also often associated with canines.

Another possibility for the origins of the werewolf legends lies with the medical condition hypertrichosis.  This condition is caused by a genetic mutation of chromosomes, as well as various diseases such as cancer and anorexia.  In the most severe cases, the face and body are covered in thick hair, giving a very animalistic appearance.  In days gone by, people who suffered from this condition often ended up in circus shows, labelled with such names as “Wolf Man”.

Thirdly, The Berserkers, were Viking warriors described in Old Norse literature who dressed in wolf and bear skins.  They were said to enter an almost uncontrollable, trance-like fury, thought by some historians to be induced by drugs.  In one saga, they are described as being “tasters of blood”.  Their fit of madness is described here:

This fury, which was called berserkergang, occurred not only in the heat of battle, but also during laborious work. Men who were thus seized performed things which otherwise seemed impossible for human power. This condition is said to have begun with shivering, chattering of the teeth, and chill in the body, and then the face swelled and changed its colour. With this was connected a great hot-headedness, which at last gave over into a great rage, under which they howled as wild animals, bit the edge of their shields, and cut down everything they met without discriminating between friend or foe. When this condition ceased, a great dulling of the mind and feebleness followed, which could last for one or several days.(1)

This is interesting, in that not only do the Berserkers transform in the same way as werewolves do, but they are also weak when the effects wear off, in the same way that werewolves appear to be weak when they transform back to their human form.  The state of going ‘berserk’ is explored in Finding Delphi, when one of the protagonists is forced to confront his past and the guilt that remains with him because of his actions.  The effects of a hallucinogen experienced by him and other protagonists in the story, cause him to shapeshift into various animals, including a wolf.

The werewolf, in storytelling, has to be some part of the human being – a part of us which is deep-rooted and potentially accessible.  In some cases, it could be madness, and we have the full moon symbolism to thank for the association with the lunatic.  The word luna is Latin for moon and the goddess of the moon.  It is also, incidentally, the alchemical name for silver!  The full moon has long been associated with psychiatric illness.  It has never been proven to be anything more than a mythical link, although there is no accounting for the effect belief has on a subject.  In American Werewolf in London, the unfortunate David Kessler suffers psychologically through nightmares and supposed hallucinations, after straying off the path onto the moors, disregarding the full moon and being attacked by a werewolf which kills his friend, Jack, and turns David into a werewolf.  His reign of terror throughout the streets of London seems to be linked to delinquency and hooliganism, with some transvestism, anarchy and porn thrown in for comic effect.   In this case, the werewolf is the parts of an eighties society that London was either uncomfortable with or did not take very seriously, possibly both.  Certainly it represents the ‘Other’ in that society.

As well as furious, strange and criminal behaviour, the werewolf represents our most base instincts; our untamed wildness.  It represents the animal side of our nature.  It is really what is going on, or what we have the potential for, underneath our civilised exterior.  Of course, this includes our sexual nature which seems to have been demonised some couple of thousand years ago….  In very ancient times, the wolf was associated with prostitution, and this is one theory for the background story of the wolf that raised Romulus and Remus, the founding brothers of Rome – that is, that Lupa may in fact have been a prostitute.

Folk tales, such as Little Red Riding Hood, are full of amazing allegory, warning unsuspecting adolescent girls of the dangers of not sticking to “the path”.  In the original fairytale there is a clear distinction between the safety of the village and the dangers of the forest.  The tale is symbolic of an innocent female victim being lured by a dangerous male criminal from a place of safety to a place of isolation.  Charles Perrault, writer of the earliest version (1697) explicitly explained the meaning of the story at the end:

From this story one learns that children, especially young lasses, pretty, courteous and well-bred, do very wrong to listen to strangers, And it is not an unheard thing if the Wolf is thereby provided with his dinner. I say Wolf, for all wolves are not of the same sort; there is one kind with an amenable disposition – neither noisy, nor hateful, nor angry, but tame, obliging and gentle, following the young maids in the streets, even into their homes. Alas! Who does not know that these gentle wolves are of all such creatures the most dangerous!

There is no doubt in my mind that Little Red Riding Hood is a warning to pubescent girls on the awakening of sexual maturity, the red cloak symbolising the blood of menstruation; the wolf, therefore, a sexual predator.

The literary tale was beautifully brought to life in Company of Wolves, which was an absolute dream for the discerning symbologist (yes, I know it’s a made up title – please don’t write in!).  Unlike the fairytale the charismatic wolf is first encountered as a Prince Charming, later metamorphosing into a wolf.  Throughout the story there are several transformations from human to wolf, introduced through other folk tales within the story.  The main point, according to the old-fashioned thinking of her grandmother’s generation, is for Rosaleen (Red Riding Hood) to be wary of wandering off the path (of righteousness) as there are wicked men ready to take advantage of her.  However, Rosaleen’s mother has a different attitude.  Nowadays it’s okay to run off with the man (or werewolf!) you love.

I leave you with one of my favourite quotes, and the moral of the story, from Charles Perrault’s Little Red Riding Hood:

Little girls, this seems to say,
Never stop upon your way,
Never trust a stranger-friend;
No one knows how it will end.
As you’re pretty so be wise;
Wolves may lurk in every guise.
Handsome they may be, and kind,
Gay, and charming – never mind!
Now, as then, ‘tis simple truth –
Sweetest tongue has sharpest tooth!

Until next week, stick to the path and beware the moon!  Your friend,  A.D.

Footnotes

(1)    Fabing, Howard D. (1956) On Going Berserk: A Neurochemical Inquiry in Scientific Monthly 83 [Nov.] 234.

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