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Tag Archives: Ray Harryhausen

Petrifying Primates: Monkeys and Apes in Science Fiction and Horror

24 Friday May 2013

Posted by Alyson Dunlop Shanes in Uncategorized

≈ 2 Comments

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Altzheimer's, Andy Serkis, apes, baboon, Bela Lugosi, Brian Cox, Bride of the Gorilla, Caesar, chimp, chimpanzee, Chris Atkins, Congo, curse, Daedalus, Doctor Who, gorilla, Greek, Horror, Icarus, In the Shadow of Kilimanjaro, John Lithgow, King Kong, Link, Lon Chaney, Mars, Monkey Shines, monkeys, monster, mythology, orang-utan, Planet of the Apes, primates, primitive, Ray Harryhausen, Rise of the Planet of the Apes, Roddy McDownall, Roman, sci-fi, science fiction, Shakma, simians, The Ape Man, witchcraft

   chimpThey are often depicted as the primal and, therefore, frightening face of human nature.  Primates, the class of animals to which humans also belong, are often the source of our primitive fear.  We sometimes refer to them as our “cousins” in the animal kingdom, but in horror and science fiction they are our nightmares in the flesh.  They kill by attacking us or by spreading disease.  Either way, they are dangerous or to be feared, because in horror and science fiction, primates are human-like and just as unpredictable as we are. 

   Stories often involve the shady and bleak world of animal experimentation or exploitation.  The humans get the monkeys to perform for entertainment, or force them to endure pain and suffering because it will aid us in some way.  Just like in real life.  Whatever we want, the primate does it or is forced to do it.  Until, that is, it fights back.

   Some of the films take on elements of a slasher movie.  One victim after another is stalked by the predator, with a final survivor.  Sometimes there is more than one, but usually the outcome is bad for the primate.

   Several stories are set in Africa.  Sometimes, like King Kong, it begins on a primitive island or deep in the jungle where, of course, humans first invaded and captured the wild and free animals. 

   I first became absolutely fascinated by these stories when I watched King Kong (1933) as a little girl.  Monster movies were always televised on a Friday, early evening, and I loved them!   Unlike Ray Harryhausen, my fascination was not due to animation.  It was due to narrative.  It was only later in life, as an adult, that I saw there were even deeper layers to the story.  However, King Kong deserves a blog article of its own so I’ll avoid going into depth on the subject until a later date. 

   As far as I know, King Kong is the first  movie to depict primates as monstrous.  In 1943, The Ape Man starring Bela Lugosi came out, followed by Might Joe Young (1949). 

Click to view.

Click to view.

   Bride of the Gorilla (1951), starring Lon Chaney, is about the jungle (wildness) versus civilised behaviour.   When Barney lets a snake kill his boss, an old woman curses him with a “plant of evil”.  The old woman is a “wise woman” or “witch” who uses black magic.   Barney hears the “call of the wild” from the jungle on his wedding night.  He leaves to go into the jungle, which he appears to now be more in love with than he is with his wife.  His doctor believes he has been poisoned, and that the natives have many potions that can drive a man out of his mind and cause psychosis.  He also thinks Barney killed his boss, and his wife may be a constant reminder of his guilt of killing her first husband.  What they don’t know is that the potion has caused Barney to turn into a gorilla!

Click to view.

Click to view.

   In 1968, the first Planet of the Apes film came to screens.  Surprisingly, the movie got a G rating, for ‘general audience’.  When I first saw this film, probably round about the age of six or so, it terrified me on the same level as Doctor Who at that age.  Of course, having two big brothers meant that scary science fiction was often viewed in the house, so I spent a lot of time behind the sofa in those early days!  I was really surprised to learn it wasn’t more along the lines of an A or even 15 (which, of course, wasn’t a rating that existed back in the sixties).

  The film showed us what it would be like if the tables were turned and animals treated us the way we treat them.  After crash-landing on an alien planet, Taylor is captured by apes who can talk and act like humans.  He is befriended by Cornelius and Zira who help Taylor escape.

    However, Doctor Zaius is a religious scientist Taylor calls a “fanatic”.  He refuses to listen to reason, especially if it goes against his religious knowledge.  On Zaius’ instructions Cornelius reads 29th Scroll 6th verse (written by The Lawgiver of the Apes):

 Beware the beast Man, for he is the Devil’s pawn. Alone among God’s primates, he kills for sport or lust or greed. Yea, he will murder his brother to possess his brother’s         land. Let him not breed in great numbers, for he will make a desert of his home and       yours. Shun him; drive him back into his jungle lair, for he is the harbinger of    death….

  Zaius continues:

From the evidence, I believe his wisdom must walk hand and hand with his idiocy. His emotions must rule his brain. He must be a warlike creature who gives battle to      everything around him, even   himself…  The Forbidden Zone was once a paradise. Your breed made a desert of it ages ago!

   The ending proves Zaius to be correct.

   It’s a very thought-provoking film, not only about how we treat our planet and how we treat animals, but also how we treat other human beings and the prejudices amongst us.

   Planet of the Apes was extremely popular and there were several sequels:  Beneath the Planet of the Apes (1970); Escape from the Planet of the Apes (1971); Conquest of the Planet of the Apes (1972) and Battle for the Planet of the Apes (1973).   In 1974, there was a TV series and the following year an animated series Return to the Planet of the Apes.   In 2001, a remake was made, and in 2011 Rise of the Planet of the Apes came to our screens.  However, I will leave the latter until the end, seeing as I am working in chronological order!

Click to view.

Click to view.

   In The Shadow of Kilimanjaro (1986) is based on a true story about a drought in Africa which causes baboons to go ape-shit!  The baboons are predators stalking people one by one, first at night from the darkness; next in a gang attacking a lone driver who breaks down.  The threat is portrayed like an unruly mob, gang or individual stalker and becomes quite terrifying as the film progresses.  You do begin to wonder how on earth everyone will make it to the end of the film, as they appear to be outnumbered by the ferocious creatures who are hungry for their flesh….

Click to view.

Click to view.

   Link (also 1986) is about a college professor who employs one of his female students to look after his house.  He shares his house with two chimps, Voodoo and Imp and an orang- utan called Link.  The professor gives the girl three rules to live by

1.                  Humans are dominant.

2.                  Always forgive the primates, regardless of what they do.

3.                  Don’t get involved in their squabbles.  They sort them out.

Pretty soon the girl wishes she had never taken on the job, as she finds herself trapped in the isolated house on the rocky coast, trying to escape from one of the creatures which turns out to be a dangerous killer!  It seems the presence of a female in the house has sent him over the edge.  This is really more a story of sexism and male dominance.

Click to view.

Click to view.

   Dominance also features in the film Monkey Shines (1988).  It is about paraplegic Alan, who has his own personal monkey helper, Ella.  The monkey has been genetically altered by his friend Jeff, a scientist who gives Alan the monkey as a gift.  Ella loves Alan and seems to want to do things just for him, but everything starts to go wrong when Ella begins to carry out acts of revenge on behalf of Alan, unbeknownst to him.  Alan and Ella seem to be telepathically linked, as Alan begins to take on the monkeys rage and starts to have unusual mood swings.  Once he realises what is going on it is a pure battle of will to defeat the nasty little simian.

Click to view.

Click to view.

   In Shakma (1990), we find ourselves in another research lab.  Roddy McDowall is the professor and game master (which sounds an awful lot like gay master every time it’s said – I can’t help but think that is deliberate!) who engineers a game for his students.  Meanwhile we know that an aggressive baboon called Shakma has not been euthenised and has killed other primates in the lab.  The film has elements of the slasher as well as fairytale characters such as a hero, princess and villain.  Most of all Shakma is a film about brain vs brawn, but will intelligence win when up against such a vicious enemy?  I was honestly a little unnerved by the ferocity of the baboon, but the titles assure the audience that he was well-treated…

Click to view.

Click to view.

   Congo (1995) is an adventure story about a rescue expedition, which is also about finding the ultimate diamond.  It also features a rather adorable gorilla called Amy, who can use sign language.  She has nightmares about the jungle except when she paints images of it.  Amy wishes to return home to the jungle and her keepers decide to take her back to the Congo.  They team up with the rescue expedition as they are all going to the same place.  Like a traditional adventure film, there is only one woman and a bunch of men.

   The story is one of greed for material possessions, and there are many things to thwart the group on their way, not least of all the ultimate threat of the killer silver gorillas that have annihilated the original expedition.  The terrifying creatures are ready to defend the temple in the jungle and the diamonds that are the cause of so much greed.  If this film hasn’t been made into a game, I’d be very surprised!

Click to view.

Click to view.

   Finally, the most recent ape film, Rise of the Planet of the Apes was made in 2011, and began in a laboratory.  A doctor thinks he has found a potential cure for Altzheimer’s (ALZ1-12, a virus), but his test subject goes wild and is shot.   The programme is closed down.   However, the doctor discovers the wild chimp had a baby.  The baby chimp, which he rescues and calls Caesar, shows signs of exceptional intelligence.

   Caesar is well-named.  In captivity, he becomes the general of an army of apes that he trains himself.  He steals some ALZ virus to enhance the intelligence of the other apes in order to escape. 

   Apart from the name “Caesar”, there are a few other little nods to ancient Roman and Greek mythology, including Icarus and Mars, the mention of whom should warn us that there is trouble ahead.  Mars is the Roman god of war, and Icarus is the son of Daedalus.  Icarus flew too close to the sun and died as a result of his ambitions – for anyone paying attention there’s a helicopter scene near the end where this reference ties in.  There’s also a scene very reminiscent of a gladiatorial fight between Caesar and his rather nasty keeper in the “sanctuary”, at which point we also find out something extremely surprising about Caesar!  (But I won’t spoil it).

  Caesar shows compassion for his good keeper, though, and is reluctant to kill.   He is able to make tactical decisions to lead the other apes.  You can’t help but admire and respect him, and you hope that he survives the battle. 

   I’d definitely recommend seeing this film.  You’ll love it!  In fact, the only thing I didn’t like about this film was that it had to end!  Andy Serkis does a fantastic job playing Caesar.  There’s apparently another one, Dawn of the Planet of the Apes, due out next year, and I can’t wait! I’ll definitely be going to the movies to watch it on the big screen.

   On one hand I love these films, on the other hand, they are sad reminders of the greed and stupidity of homo sapiens.  I despair at the treatment of some people towards our animal friends and I despair that we push Nature to a point where She turns round and slaps us very hard in the face…

   Until next week, be kind to all creatures, the planet and each other.  Your friend, A.D.

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Monster Myths to Monster Movies: The Tales That Inspired Harryhausen

10 Friday May 2013

Posted by Alyson Dunlop Shanes in Uncategorized

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7th Voyage of Sinbad, Aeschylus, Apollonius, Arges, Argonautica, Aristophanes, automaton, Boreades, Brontes, bronze bulls, Catalogue of Women, Clash of the Titans, classics, Crete, Cronus, Cyclopes, Cyclops, Dead Man's Chest, Diodorus Siculus, Euripides, Euryale, forging, giant octopus, Gorgons, Greek, harpies, Helen, Hephaestus, Hesiod, Homer, hydra, Iliad, Jason and the Argonauts, Johnny Depp, King Phineus, Kres, magic, mechanical minotaur, Medusa, mermaids, metal-smith, Minoton, Moby Dick, monsters, myth, mythical creatures, Neptune, Odysseus, Odyssey, Orpheus, Penelope, Phinneas, Pindar, Pirates of the Caribbean, Polyphemus, Poseidon, Ray Harryhausen, sea monsters, sea snakes, Seventh Voyage of Sinbad, Sicily, Sinbad, Sinbad and the Eye of the Tiger, Siren's Song, Sirens, Steropes, Talos, Tartarus, Tauric Chersonese, Tennyson, The Erinyes, The Fates, The Golden Fleece, The Golden Voyage of Sinbad, The Griffin, The Kraken, the sun, Theogony, Titans, Underworld, Uranus, Uriel, volcanoes, Vulcan, Zeus

Harryhausen MedusaLike most of you, I was first introduced to the ancient Greek monsters through watching films like Sinbad, Clash of the Titans and Jason and the Argonauts.   I was also fortunate enough to end up doing a degree in Classics, so I got to find out more about the origins of the mythical creatures Ray Harryhausen magically brought into our hearts and minds, fascinating and captivating us with his animations.  Because of him, pretty much most of you reading this will know what the Cyclops and Medusa look like.

I was so sad to read about Harryhausen’s death earlier this week, and it is to him that I dedicate this article.  In the words of a friend, thank you for the magic Ray.

Seventh Voyage of Sinbad (1958)

Sirens

ulysses-and-the-sirens-1891

By John William Waterhouse

 The name Sirens comes from the Greek Σειρηνες which translated is ‘seiraô’.  It means ‘entwiners’ or ‘binders’.  They are first mentioned by Hesiod in his Catalogue of Women, but they appear in many texts including the Argonautica, Euripides’ Helen and Homer’s Odyssey.  The myths describe them as being three sea creatures who lure mariners to their deaths with enchanting songs.  Jason and his Argonauts manage to pass by with the help of Orpheus who drowns out their singing with his music.  Odysseus manages to pass by unharmed by asking his men to tie him to the mast of the ship, while they put wax in their ears so that they will not hear the Siren’s Song and perish.  The Sirens are so upset that a man hears their song, but escapes, that they throw themselves into the sea and drown!  What an odd tale indeed!  And, of course, there are many theories on what it might all mean.

For starters, the word has survived in modern language.  The siren is the sound of a warning bell or alarm, and generally means that there is trouble somewhere ahead.  Did the Sirens foretell the coming of danger?  Sometimes the Siren is a woman, or a woman with wings.  Could it be warnings from women about dangers, or is it a warning that beautiful women are dangerous, or that men can be tempted into dangerous situations by beauty and desire?  Certainly, Odysseus faces many temptations before he returns back to his dutiful and faithful wife Penelope.  She is certainly more faithful than he is, that’s for sure!

Sirens, like the tales of mermaids, seem to be a symbol for dangerous seduction; the kind that lure men to their deaths.  In this respect, therefore, they represent the desires of a man that he cannot have, or should not have, which will ultimately be his demise.

The Cyclopes: The Elder and the Younger

Redon.cyclops

The Cyclops by Redon

 There are two breeds of Cyclopes, the one-eyed monster: The Elder and The Younger.  The Elder Cyclopes first appear in Hesiod’s Theogony, a Greek creation story.  Their names are Arges, Steropes, and Brontes and were cast into Tartarus (a part of the Underworld where people are tormented) by their father, Uranus, along with all the other Titans.  They assist Cronus in usurping Uranus’ government, but Cronus then also throws them into Tartarus.  Because Zeus releases them during his war with Cronus and the Titans, the Cyclopes give Zeus his thunderbolt and lightning, as well as a helmet for Hades (god of the Underworld) and a Trident for Poseidon (god of the sea).  The Elder Cyclopes are eventually killed.  Later, their tale appears in the Argonautica where they are shown to be metal forgers.

The Younger Cyclopes appear in Homer’s Odyssey.  Here they are a giant race of lawless shepherds who live in South West Sicily and eat humans!  They neglect agriculture, have no laws or political institutions and completely disregard Zeus (Hom. Od. vi. 5, ix. 106, &c., 190, &c., 240, &c., x. 200.)

They seem to represent natural forces, both destructive and creative.  I can’t help wondering if perhaps volcanoes play a part.  They too have one eye, and there are many in the area of Sicily.  That they had a destructive force is obviously a given, but they do also possess the power of creativity.  After eruptions, ash and lava form rich soil and land is fertile.  Its power of creativity is, therefore, enhanced.  Many different kinds of metal deposits are also found near underwater volcanoes and geothermal springs. Most of the metallic minerals mined in the world, such as copper, gold and silver, are associated with magmas found deep within the roots of extinct volcanoes located above subduction zones.  It doesn’t take much of an imagination to envisage the possibility that settlers in these areas would mine for metals and be inclined to go into trades such as metal-smithing and forging, hence the association with Hephaestus (Gr)/Vulcan (L.).  Furthermore, with just another little stretch of our imaginations it would be perfectly plausible to assume that these ancient people, who worship Vulcan, god of volcanoes (where the name comes from), might have drawn or tattoed an eye in the middle of their foreheads to represent their god, and the eye of the volcano….  These are how myths are born!

There’s probably much more to discover on this subject through studying the cults of Hephaestus/Vulcan.  I’ll leave that for another day, though.

Jason and the Argonauts (1963)/The Argonautica

Talos

Talos

Talos

 A bronze automaton (see Minoton).  Talos is forged by Haephastus.  He is a massive statue from Crete who is given the task of patrolling the island three times a day and driving pirates away with rocks or a fiery death-embrace (see Cyclopes).  His first appearance is the Argonautica.  He was eventually destroyed when he tried to stop the Argonauts from landing on Crete.  In one poem he is the son of the Cretan sun-god, Kres, as well as the father of Hephaestus, the fire god.  His name means ‘the sun’ but also ‘to cut down’ in the Cretan dialect. 

Harpies

The sons of Boreas, Kalais and Zetes, are hunting the Harpies. Laconian cylix 550 BC. Villa Gulia

The sons of Boreas, Kalais and Zetes, are hunting the Harpies.
Laconian cylix 550 BC. Villa Gulia

Harpies are the spirits of sudden gusts of wind.  They are known as the hounds of Zeus and are sent by him to snatch things, including people!  In Greek mythology, they are often blamed for sudden mysterious disappearances.  They are usually shown as winged women or women with the body of a bird.  They are mentioned in Homer’s Odyssey, by Hesiod in his Catalogue of Women and later in the Argonautica.  The Harpy Eagle is also named after them!

Two harpies were assigned by Zeus to torment King Phineus of Thrace.  In the film he is depicted as the blind prophet Phinneas.  The King is punished for revealing the secrets of the gods by having his food snatched away by the Harpies.  In the film it is for abusing his power of prophecy. They are captured by Jason and his crew in exchange for information.  King Phineus is mentioned briefly in Hesiod’s Catalogue of Women and he was the subject of a play called Phineus by Aeschylus which is unfortunately lost.  This story told of the arrival of the Argonauts at Phineus’ court, where the Boreades kill the Harpies and save Phineus.  Thankfully a few fragments survive at least.  The Harpies are mentioned in many other ancient texts including the Homer’s Iliad and Hesiod’s Theogony, both from round about 8th c BCE.

Hydra

By Ruth_Tay (deviantART)

By Ruth_Tay (deviantART)

In mythology, the Hydra is an enormous nine-headed water snake.  It is one of the twelve labours of Heracles (Gr.).  Whenever he cuts off one head, two grow in its place!  Eventually he cauterises the heads with fire.  During the battle he crushes a giant crab, which has come to assist the Hydra, beneath his heel.  Afterwards Hydra and the Crab became the constellations of Hydra and Cancer.

The Hydra first appears in Hesiods Theogony (8th/7th c BCE), and appears also in Apollonius’ Argonautica, as well as many other stories.   The Hydra is certainly representative of some kind of obstacle, however it has also been suggested that it represented ancient serpent worship.  This is something I would appreciate more information on, if anyone can enlighten me.

The Golden Voyage of Sinbad (1973)

Griffin

By Jim Nelson

By Jim Nelson

The Griffin is a beast with the head and wings of an eagle and the body of a lion.  A tribe of Griffins guarded gold deposits in northern and eastern mountains of Greece, which could have the same significance as the story of the men who guarded the Golden Fleece (see Minoton).  The Griffins are mentioned by several ancient Greek writers: Aeschylus in Prometheus Bound, Aristophanes in Frogs and Herodotus in Histories.

Sinbad and the Eye of the Tiger (1977)

Minoton: The mechanical Minotaur

 minoton

Of course, most of us will have heard of the Minotaur from the Theseus myth, but Automotons also existed in the ancient world.  They are creatures crafted out of metal and given life by Hephaestus, the Greek smith-god.  There are four fire-breathing bronze bulls, which Hephaestus makes for King Aeetes of Colchis.  These appear for the first time in the Argonautica. 

Diodorus Siculus informs us what they are a couple of centuries later.   He tells us Aeetes puts up a wall where the Golden Fleece is and has it guarded by men of the Tauric Chersonese.  He says that it is because of these guards that the Greeks invented monstrous myths.  A rumour is spread that fire-breathing bulls and a sleepless dragon guard the fleece.  The imagery of the bull breathing fire is used by these men because of their strength and also due to their cruel way of murdering strangers (2).

Clash of the Titans (1981)

Medusa

By Caravaggio

By Caravaggio

Medusa is one of three Gorgons.  She has snake hair and her gaze turns men to stone.  The first written account appears to be by Hesiod who pictures The Gorgons as sea demons who have the ability to create reefs.  They are therefore the personification of dangerous reefs which are a threat to sailors.  In fact, another of the Gorgons is called Euryale, which means “she of the wide briny sea”.  Medusa is possibly a personification of the sea storms that drive sailors to their deaths.  It is also possible the three Gorgons are connected with The Furies, three ancient goddesses who represent drought, ruined crops and famine.

Interestingly, though possibly not important or relevant, the angel Uriel is the angel of wisdom who is associated with helping people to resolve conflicts.  In The Erinyes by Aeschyles, The Erinyes (Fates) were transformed into goddesses of good judgement and wisdom.   I just wonder if Uriel and Euryale have anything in common…

According to later classical poets, such as Pindar, Medusa is a beautiful maiden, “fair-cheeked”, who is turned into a monster by the goddess Athena for lying with the god Poseidon in Athena’s shrine.  Poseidon is the god of the sea, as well as earthquakes, so there is another nautical connection.  Could the myth simply mean that Medusa once represented the calm sea, and later represented the stormy sea?  The fact that she was mortal might also tie her to animal or plant and certainly her totem animal must be considered to be the snake.  Perhaps sea snakes.  I would need much more time than I currently have to really look into all that, but if anyone already has information, please do post a comment.  I’d be delighted to hear from you.

Kraken

Release the Kraken!

Release the Kraken!

I had to save the best for last!  Oh, but I am so sorry to disappoint you.  The Kraken was never a part of Greek mythology.  It first appeared in early Norwegian stories from the 12th c CE.  In 1752 it was described as being like a floating island, with arms, about a mile and a half across.  Later stories depicted it as a giant octopus.  There is a reference to it in Moby Dick, and Tennyson wrote a poem about it. 

It seems Ray Harryhausen just nicked it for Clash of the Titans, as did the the producers of Pirates of the Caribbean: Dead Man’s Chest with Johnny Depp.

It probably just represents the dangers of the ocean from predatory creatures.  There have been several accounts of large creatures wrecking boats, such as the giant octopus, which can grow to about thirty feet long.  Tales of the Kraken probably grew from mariner’s tales and fears about sea creatures.

Recommendations

If you want to read more about Greek myths, I highly recommend you start with reading Hesiod, Homer (particularly the Odyssey), Aristophanes and Euripides.  They are much easier to get through.  I probably wouldn’t recommend the Argonautica – it’s not a big book, but it is pretty taxing to read.

Please do feel free to post comments, as it is impossible to fully cover such a vast subject in just a couple of days.

Until next week… As always, your friend, A.D.

BIBLIOGRAPHY

http://en.wikipedia.org/wiki/Golden_Fleece

http://www.theoi.com

http://library.thinkquest.org/C003603/english/volcanoes/theadvantages.shtml

http://vulcan.wr.usgs.gov/LivingWith/PlusSide/mineral_resources.html

http://www.rbhs.w-cook.k12.il.us/mancoff/sirens.htm

http://monsters.monstrous.com/kraken.htm

http://www.nowpublic.com/culture/release-kraken-what-kraken-kraken-origins-history-2600156.html

 

REFERENCES

(1)  Strabo (first century BC) Geography I, 2, 39 (Jones, H.L. (ed.) (1969) The Geography of Strabo (in eight volumes) London

Tran, T (1992) “The Hydrometallurgy of Gold Processing”, Interdisciplinary Science Reviews (UK), 17, pp. 356-365  

“Gold During the Classical Period”

Shuker, Karl P. N. (1997), From Flying Toads To Snakes With Wings, Llewellyn

 Renault, Mary (2004), The Bull from the Sea, Arrow (Rand)

(2)Diodorus Siculus, Library of History 4. 47. 2 – 3 (trans. Oldfather) (Greek historian C1st B.C.)

 

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