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Tag Archives: Fear

CURSE OF WHITECHAPEL: Jack the Ripper

03 Friday May 2013

Posted by Alyson Dunlop Shanes in Uncategorized

≈ 6 Comments

Tags

3 New Court, A Study in Terror, Aaron Kosminski, Aberline, Anne Chapman, Annie Chapman, Catherine Eddowes, Christopher Plummer, crime, Dark Annie, Dorset Street, Duke of Clarence, Dutfield's Yard, Elizabeth Stride, Fear, freemasonry, From Hell, Ginger, Horror, Jack the Ripper, Jack the Ripper (1988), Jack the Ripper Documentary, James Mason, John Neville, Johnny Depp, Juwes, Leather Apron, Long Liz, macabre, Mary Ann Kelly, Mary Ann Nichols, Mary Jane Kelly, Michael Caine, Mitre Square, murder, Murder by Decree, mutilations, Polly Nichols, prostitutes, Ripperologists, Sex, sex crime, Sir William Gull, terror, the queen's physician, The Real Jack the Ripper, Victorian London, Whitechapel murders

Few events have inspired crime and horror writers as much as the Whitechapel murders of 1888. From August to November of that year, the East End of London lived in complete and utter terror. Though there were other murders that year, five in particular were attributed to the hand of one suspect, known only by what was to become his most infamous name: “Jack the Ripper”. It is a name that should strike fear and loathing in even the bravest of people, for the vilest acts were committed by this one person. If, indeed, it was one person.

His victims were all penniless, alcoholic prostitutes, who walked the foggy streets of London’s East End. In order of murder:

Mary Ann “Polly” Nichols: 31st August

Mary Ann Nichols

Mary Ann had gone out on the streets, after an evening of drinking, to earn her lodgings for the night. She was seen by an acquaintance at 2.30am. By 3.15am she was found, in the spot where only half an hour earlier a policeman had passed by. Her throat and abdomen were both cut open, but there was very little blood, leading police to conclude she had been murdered elsewhere.

Anne Chapman (“Dark Annie”): 8th September

Anne Chapman

Anne Chapman, also drunk and in need of money for lodgings, went out at 1.45am, was last seen at 5.30am and was found in a back yard at 6am. Her face and tongue were swollen, indicating that she had possibly been gagged or suffocated. Her abdomen had been cut open, intestines lifted out and placed on her shoulder. All her pelvic organs were removed with one clean incision, leading investigators to conclude that The Ripper had knowledge of anatomy. The attending pathologist, Dr George Bagster Phillips, said he himself could not have performed the task in anything less than an hour. If the precise anatomical removal was deliberate, it was done at lightning speed.

Elizabeth Stride (“Long Liz”): 30th September

Elizabeth Stride 1872 Photo

Elizabeth had been drinking up until 6.30pm with a friend, before going out on the streets for her lodgings money. She was seen in another pub later, around 11pm, drinking with a man. By 1am she was found in a Dutfield’s Yard, behind the International Working Men’s Educational Club. Her throat had been slit. It is thought that the killer was disturbed by a salesman entering the yard with his horse and cart, and that the mutilation was probably left unfinished. It’s highly likely because simply killing Elizabeth was not enough to satiate the thirst of The Ripper that night.

Catherine Eddowes: 30th September

Catherine Eddowes 1883 Photo

Within half an hour of killing Elizabeth Stride, Catherine Eddowes was also murdered. Last seen at about 1.35am, after being let out of her police cell at 1am where she had been taken earlier in the evening to sober up, giving her name as “Mary Jane Kelly”, one of the pseudonyms of the fifth and final victim of the Ripper. Approximately ten minutes later, at 1.45am Catherine was found dead by a policeman in Mitre Square. Her throat was slit, her vocal chords were severed, abdomen ripped open, and intestines placed on her shoulder in a similar manner to that of Annie Chapman. Furthermore, the inside of her thighs had been sliced open. Her left renal artery was cut through, and the left kidney removed. Catherine’s womb was also partially removed. Her face, eyes, nose and ears were mutilated. The pathologist declared that someone with anatomical knowledge must have carried out the murder. It would have been a truly gruesome sight to behold. However, it was nothing to the next, and final, horror the police would encounter.

Mary Jane Kelly aka “Ginger” and “Mary Ann Kelly”: 9th November

Mary Jane Kelly

(Artist’s Impression)

Mary Jane Kelly was the only victim who had permanent lodgings. She lived at 3 New Court, an alley off of Dorset Street. Of all the Ripper murders, Mary Jane Kelly’s is the only one that is committed indoors. Because of this it is likely that The Ripper had time to carry out his sick deeds undisturbed. It’s possible that Mary Jane was drinking heavily all evening. There are a couple of unconfirmed sightings between 8 and 11pm, in two different pubs, and in the company of several gentlemen throughout the evening and the early hours of the following morning. By 10.45am her body was discovered. She was mutilated beyond recognition. The surface of her abdomen and thighs had been removed, her abdomen emptied, breasts cut off, arms slashed, face completely mutilated and unrecognisable, her neck was severed to the bone. Her organs were found in various locations in the room: her kidneys, uterus and one breast were underneath the bed, the other breast by her right foot, her liver lay between her feet, her intestines by her right side, her spleen to the right, skin from her abdomen and thighs lay on a table.

The room was a blood bath. The bed was saturated and the floor was a pool of about two feet square. There were several spatter marks on the walls in line with the neck. Her face was gashed all over, many times, as were her arms and calves. It was a truly horrific murder. Of all the macabre killings, Mary Jane Kelly’s murder was probably the most abhorrent and ghastly of them all.

Ripperologists generally agree that out of all the murders going on in London at that time, these five were committed by the same person known as Jack the Ripper. Who he is depends on who you talk to. There are more theories than the five murders he committed! The eyes of suspicion fell upon the Jewish community as Londoners looked for a scapegoat, preferring to believe it to be a foreigner than one of their own people. This may have been the case, but it is far from certain.

The royal and masonic theory is obviously a colourful and exciting angle, and very film-worthy. Several enjoyable movies have been made around this theory. On just a quick research of events, however, it would seem that the evidence is sketchy at best…disappointingly so! Still, never let the truth get in the way of a good story, eh?

So who, then, if not the Queen’s physician, or indeed the prince himself? Well, there was certainly an abundance of dodgy characters roaming the East End of Victorian London. The Ripper murders were not the only ones being committed either. It would be fair to say that the East End was poverty stricken, filthy and no doubt disease-ridden to boot. The fact that so many penniless prostitutes walked the dangerous foggy streets after sunset, looking for money to buy a bed for the night, some food the next day and enough left over to drink away all their troubles, gives us some idea of what kind of life those poor women were leading. They were extremely vulnerable, with few people who would miss them and probably drunk enough that they were incapable of defending themselves very much. Together with their trade, which forced them into the streets, a trade which had to be done in private, in the middle of the night, these women were easy prey for The Ripper.

One popular theory is that he killed them in a carriage before dumping them. One thing I’d say is that he had to be pretty confident of his surroundings and probably lived in the area. Most of the killings were done in what appears to be a very short time frame of 15-20 minutes. He was really very quick. Either he did have access to a carriage, or the killings were done by more than one man. It’s true he may have had a relative knowledge of anatomy, but possibly not any more than he’d read in a book. That he seemed to know where certain organs were, to me, proves nothing about any professional knowledge on the matter.

One of the more plausible theories is that The Ripper was a man called Aaron Kosminski, a Polish Jew. Kosminski had been named as The Ripper by police, but a witness who saw him with one of the victims, would not testify against a fellow Jew. Kosminski could not therefore be tried, but he did suffer from some kind of paranoid psychosis and so was taken to an asylum. There were no more Ripper murders after that, and the police closed down the investigation. This was despite the fact that more time had elapsed in between murders than it had between the last murder and the end of the police investigation, pointing to the suggestion that the police knew something they weren’t saying.

Regardless, everyone has a theory and a belief. 125 years later Jack the Ripper continues to strike fear into the hearts of those who read the story of the Whitechapel murders. He is the ultimate villain and the stereotypically demonic serial killer. His barbaric crimes will no doubt continue to inspire future writers as they always have done, everyone attempting to claim a piece of the truth for posterity, but it really doesn’t matter at the end of the day. What’s important is that the conditions were right for someone to take advantage of those innocent women: squalor and poverty which we should never allow to happen again. What matters most of all is that he stopped. Jack the Ripper’s reign of terror was over, but his rule of only 10 weeks will never be forgotten.

Until next week, hit the road Jack!  Your friend, A.D.

BIBLIOGRAPHY

http://www.casebook.org/

FILMS

Murder By Decree (1979) with Christopher Plummer as

Sherlock Holmes

A Study in Terror (1965) with John Neville as Sherlock

Holmes

Jack the Ripper (1988) with Michael Caine as Aberline.

Click here to watch online.

From Hell (2001) with Johnny Depp as Aberline.

Click here to watch online.

DOCUMENTARIES

The Real Jack the Ripper

Jack the Ripper Documentary (Part 1 of 6)

MORTUARY & CRIME SCENE PHOTOGRAPHS

mary-ann-nichols dead

Mary Ann Nichols, died 31st August 1888, aged 43.

Annie_Chapman dead

Anne Chapman “Dark Annie”, died 8th September 1888, aged 47.

elizabeth-stride dead

Elizabeth Stride “Long Liz”, died 30th September, aged 45.

catherine-eddowes-dead

Catherine Eddowes, died 30th September 1888, aged 46.

mary-jane-kelly-deadMary Jane Reconstruction

Mary Jane Kelly/Mary Anne Kelly/”Ginger”, died 9th November, aged (approx) 25 years old.  In the article above, there is only an artists impression available to ascertain the appearance of Mary Jane.  However, with modern technology it has been attempted to reveal what she might have actually looked like.

* With special thanks to Andy Young for introducing me to this subject.  Miss you.

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FEAR, RELIGION & EXORCISM: Demonic Possession and the Battle of Good vs. Evil in Horror

05 Friday Apr 2013

Posted by Alyson Dunlop Shanes in Uncategorized

≈ 5 Comments

Tags

Assyria, Babylon, bad, Damien Karras, Demon Possesion, Demons, djinn, entity, Evil, Exorcism, Exorcist, Fear, Gabriel Byrne, genie, genii, Good, gothic, guardian spirits, Horror, Merrin, mythology, negative, pagan, Pazuzu, positive, psychology, Regan, Religion, Satan, superstition, The Devil, The Exorcism of Emily Rose, The Gemini Killer, The Vatican, William Peter Blatty

EXORIST, I.V.(Contains Spoilers!)

I read two things this week that made me decide to write about the role of religion in horror.  Firstly, my idol Gabriel Byrne said that he thought the Catholic Church was evil.  Secondly, parks have a calming effect on the mind, apparently!  What have these got to do with one another?

Well, although I’m pagan I have to both agree and disagree with Gabriel.  Religion, like every entity, has a good and a bad side.  Both positive and negative psychology exists in most religions.  Many people have horrific or depressing experiences within the confines of a place of worship or due to the beliefs held, but just as many have hugely fulfilling life-long relationships with their God(s); despite my lack of Christian belief, I never fail to feel spiritually at peace in beautiful big Italian churches.  They are designed that way deliberately, to give you a sense of peace.  In much the same way as Nature is.

Over the years, many stories have been penned on the fight between good and evil.  Like all horrors, they are intended to frighten the reader, or viewer.  What better way to terrorise than through deep-rooted religious beliefs and superstitions?  Therein, lie many supernatural beings, ready and willing to take your soul.  The gothic horror novel can be scrutinised for the plentiful evidence of the much larger fears of society, and the horror genre in general is awash with (often) Christian symbolism.  Sometimes, if it’s being especially clever, a story will throw in the debate of religion vs. science, with psychology being the obvious choice for the reasons behind baffling and frightening behaviour.

Truth be told, religious horror absolutely scares the beejeezus out of me, but I absolutely love it.  Religion was never forced down my throat as a kid, so I can only imagine how devout Christians feel!  I know many Catholics who just won’t watch or read, for example, The Exorcist, even though I tell them the Church is painted in a very good light and defeats Satan in the end.  I first remember reading The Exorcist as a teenager, probably around the age of fifteen or so.  It was a book given to me by my grandfather, who knew I liked Hammer Horror and Christopher Lee.  My love of The Count was positively encouraged by my father, and I have many fond memories of our Dracula film nights!  I don’t think my grandfather had any idea of what The Exorcist was about, or what lurked between the pages of that book.  I’m sure he’d never have passed it on otherwise.  I found it shocking, disturbing and highly entertaining, though it might have caused me some bouts of insomnia for a few weeks!

The Exorcist is the tale of a little girl, who becomes possessed by the Devil, and the fight of the priests to save her soul.  The author, William Peter Blatty, supposedly derived inspiration from the exorcism of a young boy by a Jesuit priest in 1949.

However, Blatty chose not to go with Christian mythology when deciding on which evil spirit to use.  The demon he chooses for his story is Pazuzu, a wind demon from Babylonian and Assyrian mythology.  Demons, in ancient Iraq – where the story begins – are also called Djinn or, as we know them, ‘genie’.  The genii in Assyro-Babylonian mythology were inferior to gods but played a major role in the daily lives of this ancient civilisation.  There were both good and bad genii.  The good ones were guardian spirits, but there were also evil genii from the lower world who overwhelmed people with disease, made them become criminals, split up families and decimated livestock. There was no way of appeasing them, and it was thought they did not heed either prayer or supplication.  Seven of them were thought to be particularly dangerous: ‘…they dwell in holes in the ground, they live among the ruin of the earth’.  They appear to mortals as terrifying creatures and can only be driven away by incantations performed…by an exorcist! (1)

Father Merrin, in The Exorcist, finds a small statue of Pazuzu and a St Joseph’s medal whilst on an archaeological dig in Iraq.  Immediately the story is introduced as the fight for good against evil.  As this is happening, in Georgetown (USA), a little girl and her mother start to experience disturbing events.  As the story progresses the little girl, Regan, appears to be possessed by a demonic entity.  Her mother immediately has various psychological tests carried out, as this is the obvious reason for her daughter’s behaviour.  Eventually, at her wits end and seeking out another cure, she enlists the help of Damien Karras, a Jesuit priest trained in psychiatry; someone with a foot in both camps.  Damien, however, is easy emotional prey for the demon.  He has a crisis of faith and is guilt-ridden about the death of his mother.  The Vatican enlist Merrin, an experienced exorcist, to drive the demon out of Regan and save her from the Hellishness she has succumbed to. The outcome is the death of Merrin and the ultimate sacrifice of Karras, who persuades the demon to take him instead of Regan.  He then jumps out of the girl’s window, in an attempt to kill Pazuzu….

…and we think that’s it, until Legion (Exorcist III), also written by Blatty, but this time directed by him too.  It is also a pretty good film.  Particularly terrifying in this story, is the notion that evil has the ability to enter holy places, which most people like to believe are calm and spiritual havens of protection.  Suddenly, nowhere is safe from evil and chaos, neither churches nor hospitals; devout clergy are as vulnerable as anyone from attack by powerful evil spirits.

Police are baffled when the trade-marks of the now dead Gemini Killer, which were kept secret, start appearing on victims’ bodies.   It turns out to be a demon (presumably Pazuzu) possessing different people, making them commit horrific murders.  It also turns out Damien didn’t die, but is still possessed by the spirit of a serial killer alongside Pazuzu.  Damien is trapped in Hell, but still saves the day in the end.

I think this film is an absolute gem. The tension built up in some scenes is very well done.  The “Nurse Scene” scared the crap out of me when I first watched it, and again when I watched it this very afternoon – even knowing what was coming.  It is creepiness at its very best.  The film won a much deserved Saturn award from the Academy of Science Fiction, Fantasy & Horror Films, USA for Best Writing.  The acting of Brad Dourif, for which he at least received a nomination, is utterly fantastic.  It definitely should be on your list of books to read, and films to see.†

Another exorcism story, which keeps me awake and terrified, is The Exorcism of Emily Rose.  Again, it is good vs evil, science vs religion.  What I love about this story is that it leaves you to make up your own mind about the events that occur.

These events are based on the true, and very tragic, story of Anneliese Michel, an unfortunate German girl who died following an exorcism.  It is thought, by some, to have been a case of misidentification of mental illness, negligence, abuse and religious hysteria (2).  In the film, it is brought to the attention of a jury, and there is a fairly good case on both sides.  The outcome is similar to the real outcome.  In the film the exorcist is found guilty, but deemed to have suffered enough.

What I loved about this story is that it really draws upon the viewer’s beliefs at every point.  It borders, like the best scary stories, on the edge of possibility; because the events, or ones very similar, actually took place.

What do I believe?  I believe that demons and mental illness are the same thing dressed in different clothing, and I believe that in order to defeat anything you need to start with the beliefs of the affected person and adopt a holistic approach to treatment.  The real horror is that science and spirituality seem to be forever at war, rather than forming an amicable ‘opposites attract’ partnership, defeating the cause on all sides – physically, mentally and spiritually.

Yes, I believe… I believe in death. I believe in disease. I believe in injustice and inhumanity and torture and anger and hate.  I believe in murder. I believe in pain. I believe in cruelty and infidelity. I believe in slime and stink and every crawling, putrid thing… every possible ugliness and corruption, you son of a bitch! I believe…….in you (Lt. Kinderman, Exorcist III: Legion)

And I believe, even if you don’t believe, it is best not to be too arrogant about it.

Until next week readers.  Your friend, A.D.

  1. New Larousse Encyclopedia of Mythology (1986 edition) Guild Publishing: London p65.
  2. – Duffey, John M. (2011). Lessons Learned: The Anneliese Michel Exorcism. ISBN 978-1-60899-664-3

–     http://en.wikipedia.org/wiki/Anneliese_Michel

† And what of The Exorcist II…? Well, we don’t really like to talk about it…

Fear, Madness and Repressed Sexuality in Dark Fantasy and Horror

22 Friday Mar 2013

Posted by Alyson Dunlop Shanes in Uncategorized

≈ 3 Comments

Tags

Blood, Dark Fantasy, Demons, Desire, Dracula, Fear, Hallucination, Horror, Madness, Psychological, Repressed, Sensuality, Sex, Sexuality, Sleep Paralyis, Vampire

vampire4“In a world which is indeed our world, the one we know, a world without devils, sylphides, or vampires, there occurs an event which cannot be explained by the laws of this same familiar world.  The person who experiences the event must opt for one of two possible solutions: either he is a victim of an illusion of the senses, of a product of the imagination – and the laws of the world remain what they are; or else the event has indeed taken place, it is an integral part of reality – but then this reality is controlled by laws unknown to us…   The fantastic occupies the duration of this uncertainty.  Once we choose one answer or the other, we leave the fantastic for a neighbouring genre, the uncanny or the marvellous.  The fantastic is that hesitation experienced by a person who knows only the laws of nature, confronting an apparently supernatural event.” (Tzvetan Todorov:  The Fantastic, A Structural Approach to a Literary Genre, Press of Case Western Reserve University, Cleveland, Ohio 1975 p25).

In order for horror and dark fantasy to be remotely compelling to the reader, it should be somewhat believable and a tad inexplicable, enough to make us feel ‘creeped out’ or on the edge of our seats, at any rate.  Those who read these genres, particularly vampire stories, are often deeply aware of the significance of the literature, if indeed they have not had an experience of sleep paralysis accompanied by hallucination; if hallucination is what demons are, springing from the mind of the victim.  The experience of them is every bit as real as you sitting here reading this blog.  Throughout literary history there have always been souls who understood what vampires and demons symbolised, as well as how to defeat them.

Our most disturbing fears, if awakened, will teach us something of our present circumstances.  These fantastical events never occur without reason.  Like attracts like – negative environments and people very often bring their negative influences to our own psyche.  Our beliefs, fears and unconscious mind do the rest.  By allowing ourselves to remain in that state of mind we open ourselves up to terrifying experiences (or dark energy is attracted to us, whichever you choose to believe).  Either way, writers of dark fantasy and horror are often your guiding light in Hell.

These writers usually have a deep understanding of the Otherworld and reader’s darkest fears.  They take you there in order that you may better understand the many possible dangers and demons that can be encountered in life; and they hopefully end the story with a solution of how to defeat these monsters.

One of the most famous horror writers is Bram Stoker, author of Dracula.  We’ll come to the Count in a minute, but it is interesting that the subject of the disturbed mind is present in the form of Renfield, who has some very important information for the reader.  Note too the eccentric figure of Van Helsing, a slightly mad, but genius doctor, who also has the required knowledge of the fantastic as well as the mundane.  In fact, many of Stoker’s characters question their sanity throughout the story.

Blood, as the mad Renfield informs us, is the life.  By consuming blood, he says, you gain the vital powers of the person whose blood you are draining.  This is proved by his Master – Count Dracula – who becomes younger after drinking the blood of the youthful Lucy.  She becomes weaker, eventually dying, as he becomes stronger.  Mina drinks his blood in some kind of perverse and unholy communion.   Dracula is very clearly placed in opposition to God, and we can assume that he therefore represents the Devil himself.   In fact, Dracula is indeed compared to the Devil several times.  As for Renfield, he is the unfortunate mad man who speaks the truth: the ‘Cassandra’ of this story.

Of course, blood is symbolic of so many things.  On the subject of transubstantiation, in some pagan faiths, such as Sioux, there is a long-held belief that eating the flesh of a certain animal empowers you with that animal’s vital essence and spirit, a superstition that undoubtedly found its way around the world in many other guises.  Bram Stoker was probably aware of the legend of Countess Bathory who, regardless of whether she did or not, supposedly bathed in the blood of virgins to retain her youth (See Footnote 1).  In our modern world, we are well aware that blood transfusion saves lives.  This was only a recent discovery in Stoker’s time, but he does mention, and describe, the procedure in Dracula.   Most importantly, blood symbolises the potent life and energy we possess.  Without it, we die. That life and energy is required so that the figurative vampire may live.  In other words, if we let our fears take us over, or repress our innermost desires, we will be drained, disempowered, possibly depressed and eventually die.

Sleeping and night time are, of course, the places you will encounter vampires and other night demons, and in Dracula it is no different.  Disturbed sleep is touched upon with the somnambulistic Lucy, who is easier to control when she is in this state.  Sleeping people cannot defend themselves, like the state of sleep paralysis mentioned earlier.  It is in this state that people are also very often prone to hallucinations.  This is a condition which has been described for centuries by those who have reported incubus and succubus attacks.  These creatures are night demons who feed upon our energy or have sex with us, in much the same way as Dracula does with Lucy and Mina.  Dracula, therefore, is bound up not only with our fears but also with our repressed sexuality.  The vampire’s teeth penetrating the neck of his or her victim, is symbolic of sexual penetration and shows our deep-rooted primal desire to be fucked.  Hard.  By a sexy, charismatic guy with a castle and pet wolves.  Possibly.  You get the picture.   In the half-asleep world of sleep paralysis we are bound, helpless to our inner desires and fears.  It is then that the vampire is free to strike, and the hallucination takes over.

Never fear, there is hope, and Stoker et al give us some clues on how to defeat the darkness in our lives.  I suppose it’s up to each of us to take what we will out of that, but you’ll have to take a deep breath, pick up the books and face your fears for yourself….

In Sisterhood of the Wolf there is an appearance of a mysterious stranger.  To begin with, he is not identified as a vampire, but there are many tell-tale signs.  He is dark, with penetrating eyes, and there is an enticing quality about him.  Channing knows she should not be anywhere near him, but she simply cannot help herself.  There’s also something strange about Channing which, again, the reader will no doubt suspect long before it happens.  She should be able to smell the stranger from across the street.  That’s some super-power!  Nevertheless, even although she cannot, she still gets a warning, a tingling, before she sees him.  He has a magical super-power too!  He is able to influence her senses and actions.   Channing needs no persuasion to follow his command, even though the impression is of a strong independent woman.

This short opening scene is intended to be sensual, sexual, tense and dangerous.  I have deliberately cut off the reader at this point, hoping it will leave you all wanting more!  What I can say, for now, is that Channing is not scared for her own wellbeing.  She’s a woman well able to take care of herself, and that dark stranger better watch out.  He is about to bite off much more than he can chew!   This is definitely a book for feminists!

Until next week, your friend… A D.

Footnote

1. He was certainly aware of some of the history of eastern Europe, as is evident with his lead character, based on real life Vlad III, Prince of Wallachia, also known by his patronymic name of Dracula.  A name he inherited via his father Vlad II Dracul, a member of the Order of the Dragon.  The real Dracula’s cruelty was renowned, and his preferred method of execution was impalement, where Stoker no doubt derived the classical image of the stake – one of the methods used to kill vampires.

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