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Tag Archives: Merrin

My Guilty Pleasures of Horror: The Monsters I Love to Love

07 Friday Jun 2013

Posted by Alyson Dunlop Shanes in Uncategorized

≈ 4 Comments

Tags

Anthony Hopkins, Betty White, Bill Pullman, Brad Dourif, Bram Stoker, Brendan Gleeson, Bridget Fonda, cult films, Damien Karass, Dracula, Ellen Burstyn, Exorcist, Gary Oldman, George C Scott, giant worms, Halloween, Horror, Jason Miller, Kevin Bacon, Lake Placid, Linda Blair, Max Von Sydow, Merrin, Oliver Platt, Regan, religious horror, Renfield, science fiction, Tom Waits, Tremors, Van Helsing, William Friedkin, William Peter Blatty

placid2

I’ve seen these films so many times I could practically recite their scripts!  Yet, often they get slated by critics for one reason or another.  We all have our guilty pleasures, so I thought this week I would share mine with you.  Comment and tell me what your guilty pleasures are (in film that is!  Naughty!).

Lake Placid (1999)

Click to view

Click to view

What’s not to love about Lake Placid?  It’s hilarious and scary all in the same movie.  Critics often say that it doesn’t know what it’s trying to be, whether horror or comedy.  It has been claimed that the actors haven’t a clue how to say their lines or react because they don’t know if they should be humorous or scared.  Rubbish!  They know fine well that it’s supposed to be a comedy horror.  There are a couple of bits that’ll have you jumping out your seat, but overall it’s a highly entertaining and funny film. 

The movie is about a 30-foot man-eating crocodile in New England.  The opening credits are very Jaws-like, as is the opening scene.  In fact, there are several scenes that are reminiscent of the shark movie.  It’s definitely a nod to Spielberg.   It’s set in Maine, which is possibly a nod to Stephen King as well.

There are also an abundance of great one-liners from Oliver Platt, Brendan Gleeson (Argh!  I didn’t recognise him as Hamish from Braveheart until today!) and a foul-mouthed Betty White.

Lake Placid is definitely one of my top guilty pleasures.  I don’t care what anyone says!  It’s a cracker.

Tremors (1990)

Click to view.

Click to view.

I haven’t seen this on TV for a few years.  Mind you, I don’t have a TV!  Nevertheless, every time I saw this was on, I just had to tune in and watch.  It’s the kind of film that’s normally on around 1am, and you can just zone out and watch without thinking too much.  There’s a lot of humour in it and a chance to see a young Kevin Bacon dressed as a cowboy.  My favourite part is the pole-vaulting scene! 

This film is a science fiction horror comedy, which has a lot of humour and has emerged as a cult classic.  Despite not being successful at the box office, Tremors has continued to appeal to many and became a hit through TV, video and internet viewers.

Tremors is about giant underground worms.  If you’ve not seen it, that probably doesn’t sound hugely appealing, but trust me and check it out!

Exorcist (1973)

Click to view.

Click to view.

I remember a few years ago, when I was setting out to do a post graduate in film and television studies.  We were asked to write down what we considered to be the best film of all time.  This is such a difficult thing to do.  I pondered on the problem for hours.  It very much depends on your experience of movies, and whether or not you’ve been shown what is considered to be a “quality” movie, by supposed experts.  You also have to take into consideration that not everyone likes every genre.  There were so many great films I had yet to see: Metropolis, Citizen Kane etc.  Besides, there are all sorts of things to consider such as when a film is set and the impact it has on the audience of that time.  The Exorcist had a huge impact on its original audience in 1973.   I also have a fair bit of respect for both the writer, William Peter Blatty and the director, William Friedkin (the nutter!), having also watched the making of the film.  On a small budget, he used many original ideas for special FX and sound.

Still, I was left with one of my classmates responses ringing in my ears: “Brave choice….”.   Diplomatic code for “Are you mental by any chance?” There are, of course, better.   I agree.  By today’s standard The Exorcist is by no means top of the range, but I still think it’s one of the best and original films made.  I never tire of watching it.  Years later it still provides timeless entertainment of human fears of the unknown, and epitomises the good vs evil/religious horror sub- genre.

Exorcist III (1990)

Click to view.

Click to view.

Conveniently missing out the Exorcist II (don’t!), I also loved Exorcist III – some pretty spooky stuff going on.  I’ve already mentioned it in a previous blog, so won’t elaborate too much.  Despite, George C Scott getting nominated for a Golden Raspberry Award for worst actor – for shame! – Exorcist III still managed to achieve quite a lot of success.  William Peter Blatty won a Saturn Award from the Academy of Science Fiction, Fantasy and Horror Films (USA) for Best Writing.  It also received nominations for Best Supporting Actor (Brad Dourif, as always, was incredible – if my current book ever gets made into a movie I have a part just crying out for him to play!) and Best Horror Film.  Such a shame the disappointing first sequel deterred people from going to see it.  It’s definitely one to watch, if you’re a fan of the original.

Halloween (1978)

laurie-strode_786x11742

Click to view.

Halloween, like all good slashers, is set at a celebratory time of year.  In this case, Hallowe’en – originally Samhain, the pagan feast of the (not particularly evil) dead.  In Christian times the festival became known as Hallowe’en and children would dress up to scare away evil spirits.  In any case, it’s associated with death.

Then we have an almost supernatural-like serial killer, with superhuman strength, who seems to appear and disappear in an instant, killing anyone who has too much sex, smokes or drinks booze.

This is definitely one of my favourite guilty pleasures!

Bram Stoker’s Dracula (1992)

Click to view.

Click to view.

I’m going to be dedicating a blog to this film as it’s actually a HUGE guilty pleasure of mine! 

Bram Stoker’s Dracula stands out for me primarily due to the acting of Gary Oldman, Tom Waits and Anthony Hopkins.  The three are all great in their own eccentric way:  Oldman, as Count Dracula, Tom Waits as Renfield and Hopkins as Van Helsing.  I also love the dark, dream-like quality that runs throughout the film.  It’s another movie I never tire of watching.  Francis Ford Coppola used various subtexts and folkloric symbolism, which won me over instantly.   I see something different in it every time I watch.

Until next week, feel free to love what you love.

Remember to leave a comment below and tell me your favourite guilty pleasure!

Your friend, A.D.

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FEAR, RELIGION & EXORCISM: Demonic Possession and the Battle of Good vs. Evil in Horror

05 Friday Apr 2013

Posted by Alyson Dunlop Shanes in Uncategorized

≈ 5 Comments

Tags

Assyria, Babylon, bad, Damien Karras, Demon Possesion, Demons, djinn, entity, Evil, Exorcism, Exorcist, Fear, Gabriel Byrne, genie, genii, Good, gothic, guardian spirits, Horror, Merrin, mythology, negative, pagan, Pazuzu, positive, psychology, Regan, Religion, Satan, superstition, The Devil, The Exorcism of Emily Rose, The Gemini Killer, The Vatican, William Peter Blatty

EXORIST, I.V.(Contains Spoilers!)

I read two things this week that made me decide to write about the role of religion in horror.  Firstly, my idol Gabriel Byrne said that he thought the Catholic Church was evil.  Secondly, parks have a calming effect on the mind, apparently!  What have these got to do with one another?

Well, although I’m pagan I have to both agree and disagree with Gabriel.  Religion, like every entity, has a good and a bad side.  Both positive and negative psychology exists in most religions.  Many people have horrific or depressing experiences within the confines of a place of worship or due to the beliefs held, but just as many have hugely fulfilling life-long relationships with their God(s); despite my lack of Christian belief, I never fail to feel spiritually at peace in beautiful big Italian churches.  They are designed that way deliberately, to give you a sense of peace.  In much the same way as Nature is.

Over the years, many stories have been penned on the fight between good and evil.  Like all horrors, they are intended to frighten the reader, or viewer.  What better way to terrorise than through deep-rooted religious beliefs and superstitions?  Therein, lie many supernatural beings, ready and willing to take your soul.  The gothic horror novel can be scrutinised for the plentiful evidence of the much larger fears of society, and the horror genre in general is awash with (often) Christian symbolism.  Sometimes, if it’s being especially clever, a story will throw in the debate of religion vs. science, with psychology being the obvious choice for the reasons behind baffling and frightening behaviour.

Truth be told, religious horror absolutely scares the beejeezus out of me, but I absolutely love it.  Religion was never forced down my throat as a kid, so I can only imagine how devout Christians feel!  I know many Catholics who just won’t watch or read, for example, The Exorcist, even though I tell them the Church is painted in a very good light and defeats Satan in the end.  I first remember reading The Exorcist as a teenager, probably around the age of fifteen or so.  It was a book given to me by my grandfather, who knew I liked Hammer Horror and Christopher Lee.  My love of The Count was positively encouraged by my father, and I have many fond memories of our Dracula film nights!  I don’t think my grandfather had any idea of what The Exorcist was about, or what lurked between the pages of that book.  I’m sure he’d never have passed it on otherwise.  I found it shocking, disturbing and highly entertaining, though it might have caused me some bouts of insomnia for a few weeks!

The Exorcist is the tale of a little girl, who becomes possessed by the Devil, and the fight of the priests to save her soul.  The author, William Peter Blatty, supposedly derived inspiration from the exorcism of a young boy by a Jesuit priest in 1949.

However, Blatty chose not to go with Christian mythology when deciding on which evil spirit to use.  The demon he chooses for his story is Pazuzu, a wind demon from Babylonian and Assyrian mythology.  Demons, in ancient Iraq – where the story begins – are also called Djinn or, as we know them, ‘genie’.  The genii in Assyro-Babylonian mythology were inferior to gods but played a major role in the daily lives of this ancient civilisation.  There were both good and bad genii.  The good ones were guardian spirits, but there were also evil genii from the lower world who overwhelmed people with disease, made them become criminals, split up families and decimated livestock. There was no way of appeasing them, and it was thought they did not heed either prayer or supplication.  Seven of them were thought to be particularly dangerous: ‘…they dwell in holes in the ground, they live among the ruin of the earth’.  They appear to mortals as terrifying creatures and can only be driven away by incantations performed…by an exorcist! (1)

Father Merrin, in The Exorcist, finds a small statue of Pazuzu and a St Joseph’s medal whilst on an archaeological dig in Iraq.  Immediately the story is introduced as the fight for good against evil.  As this is happening, in Georgetown (USA), a little girl and her mother start to experience disturbing events.  As the story progresses the little girl, Regan, appears to be possessed by a demonic entity.  Her mother immediately has various psychological tests carried out, as this is the obvious reason for her daughter’s behaviour.  Eventually, at her wits end and seeking out another cure, she enlists the help of Damien Karras, a Jesuit priest trained in psychiatry; someone with a foot in both camps.  Damien, however, is easy emotional prey for the demon.  He has a crisis of faith and is guilt-ridden about the death of his mother.  The Vatican enlist Merrin, an experienced exorcist, to drive the demon out of Regan and save her from the Hellishness she has succumbed to. The outcome is the death of Merrin and the ultimate sacrifice of Karras, who persuades the demon to take him instead of Regan.  He then jumps out of the girl’s window, in an attempt to kill Pazuzu….

…and we think that’s it, until Legion (Exorcist III), also written by Blatty, but this time directed by him too.  It is also a pretty good film.  Particularly terrifying in this story, is the notion that evil has the ability to enter holy places, which most people like to believe are calm and spiritual havens of protection.  Suddenly, nowhere is safe from evil and chaos, neither churches nor hospitals; devout clergy are as vulnerable as anyone from attack by powerful evil spirits.

Police are baffled when the trade-marks of the now dead Gemini Killer, which were kept secret, start appearing on victims’ bodies.   It turns out to be a demon (presumably Pazuzu) possessing different people, making them commit horrific murders.  It also turns out Damien didn’t die, but is still possessed by the spirit of a serial killer alongside Pazuzu.  Damien is trapped in Hell, but still saves the day in the end.

I think this film is an absolute gem. The tension built up in some scenes is very well done.  The “Nurse Scene” scared the crap out of me when I first watched it, and again when I watched it this very afternoon – even knowing what was coming.  It is creepiness at its very best.  The film won a much deserved Saturn award from the Academy of Science Fiction, Fantasy & Horror Films, USA for Best Writing.  The acting of Brad Dourif, for which he at least received a nomination, is utterly fantastic.  It definitely should be on your list of books to read, and films to see.†

Another exorcism story, which keeps me awake and terrified, is The Exorcism of Emily Rose.  Again, it is good vs evil, science vs religion.  What I love about this story is that it leaves you to make up your own mind about the events that occur.

These events are based on the true, and very tragic, story of Anneliese Michel, an unfortunate German girl who died following an exorcism.  It is thought, by some, to have been a case of misidentification of mental illness, negligence, abuse and religious hysteria (2).  In the film, it is brought to the attention of a jury, and there is a fairly good case on both sides.  The outcome is similar to the real outcome.  In the film the exorcist is found guilty, but deemed to have suffered enough.

What I loved about this story is that it really draws upon the viewer’s beliefs at every point.  It borders, like the best scary stories, on the edge of possibility; because the events, or ones very similar, actually took place.

What do I believe?  I believe that demons and mental illness are the same thing dressed in different clothing, and I believe that in order to defeat anything you need to start with the beliefs of the affected person and adopt a holistic approach to treatment.  The real horror is that science and spirituality seem to be forever at war, rather than forming an amicable ‘opposites attract’ partnership, defeating the cause on all sides – physically, mentally and spiritually.

Yes, I believe… I believe in death. I believe in disease. I believe in injustice and inhumanity and torture and anger and hate.  I believe in murder. I believe in pain. I believe in cruelty and infidelity. I believe in slime and stink and every crawling, putrid thing… every possible ugliness and corruption, you son of a bitch! I believe…….in you (Lt. Kinderman, Exorcist III: Legion)

And I believe, even if you don’t believe, it is best not to be too arrogant about it.

Until next week readers.  Your friend, A.D.

  1. New Larousse Encyclopedia of Mythology (1986 edition) Guild Publishing: London p65.
  2. – Duffey, John M. (2011). Lessons Learned: The Anneliese Michel Exorcism. ISBN 978-1-60899-664-3

–     http://en.wikipedia.org/wiki/Anneliese_Michel

† And what of The Exorcist II…? Well, we don’t really like to talk about it…

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